visualisation, inventiones
An old iPhone recording (2016) of a scam telephone call, using a synthesized voice, recorded on an old answering machine (2000) that uses an even older synthetic voice, meets NVIDIA’s Audio2Face (2021) – ‘an AI-powered application that generates expressive facial animation from just an audio source.’ A conjunction both sinister...
Ghosts of Antarctica 2021UHD 4k , Stereo. Duration: 8:10 Synopsis Ghosts of Antarctica is a reflective short film that brings new life and emotion to the faces of Australian Antarctic scientists and explorers of the Heroic Era in the early Twentieth century. An homage to the remarkable work of pioneering...
Cryptomea is a project that both creates new work and embeds it in a new digital market. Now that technology is mature enough, a previously impossible vision can be realised.
An undiscovered island. An ancient wreck. It is July 1810. The brig Perseverance is upon the high seas, the wild Southern Ocean. Ship’s Captain Frederick Hasselborough is searching for new sealing grounds, with a crew of 25 men. On this gloomy, squally day, Hasselborough is certain he is the first...
Australia Council practice-based research + creative development support material. The themes I explore in this creative development + practice-led research proposal develop long-term artistic preoccupations I have with landscape, romanticism and data-driven art. In several interesting and important ways these themes merge in the fields of artificial intelligence and human-machine...
An interactive panoramic tour of Mawson’s Huts is now live at mawsonshuts.com. This is an immersive narrative documentary work created through my consultancy Chthonic, augmenting the important work of the Mawson’s Huts Foundation. The VR tour runs on any device supporting modern web standards (e.g. desktop browsers, mobile devices) and...
Liminal was an operatic song-cycle I conceived, wrote and created between 1996-1999, in collaboration with my friend, the composer Glenn Rogers. I had always intended it for the big screen, as a kind of follow-on for our earlier collaboration, The Horla, which was shot on 35mm film. However, the mid-1990’s...
This image shows a portion of a 120 million pixel stereoscopic render of the photogrammetrically-reconstructed interior of Mawson’s Huts, displayed upon the EPICentre EPICylinder at UNSW. As far as I am aware, this is currently (2018) the highest resolution stereoscopic immersive display system in the world – right here in...
360º Stereoscopic Views of Mawson’s Huts (photogrammetric + 3D model reconstructions). Preview Video: Note: currently VR view mode on iOS/Android may not work, due to gyro access and software issues. Desktop viewing functions as expected. I will push updates as and when available. These are a few work-in-progress renders of...
In this public lecture Peter Morse discusses the technology and work behind creating the two “Travelling Kungkarangkalpa” fulldome movies for the DomeLab 6-metre digital dome, as part of the ‘Songlines: Tracking the Seven Sisters’ exhibition at the National Museum of Australia, Sept 2017 – Feb 2018.
