Category: Media Art

Extended portfolio: www.petermorse.net

Liminal Redux (2019) 0

Liminal Redux

Liminal was an operatic song-cycle I conceived, wrote and created between 1996-1999, in collaboration with my friend, the composer Glenn Rogers. I had always intended it for the big screen, as a kind of follow-on for our earlier collaboration, The Horla, which was shot on 35mm film. However, the mid-1990’s...

2

Computational Ocean (2016)

Computational Ocean is a visualisation derived from my work on Antarctica and the Southern Ocean. It includes global ocean data visualisations deriving from the GEBCO dataset, global Sea Surface Height Anomaly (SSHA) and Sea Surface Temperature (SST) datasets, as well as synthetic FFT-based ocean simulations. These are works-in-progress to create new and...

0

Sense of Place:: Cape Denison, Antarctica (2011)

Sense of Place:: Cape Denison, Antarctica from Peter Morse on Vimeo. Centrepiece: Cape Denison Triptych The centrepiece of a triptych video installation I made with Chris Henderson in 2011. WARNING: it is 33 minutes long and very slow – for a reason : it’s about looking and place and time...

0

SYN[A]: CLAVIER À LUMIÈRES (2012)

CLAVIER À LUMIÈRES was a project undertaken with the Tasmanian Symphony Orchestra in 2012. A performance event was held at MONA on 3-4 November 2010 – details and documentation below. Clavier à lumières – keyboard with lights, invented by Russian synaesthetic composer Alexander Scriabin. Syn[a] is a group of artist-technologists...

0

Dark Matter Aesthetics (2013)

Support materials for an Australia Council application ‘Dark Matter Aesthetics.’ Regrettably, it didn’t ‘get up’ – but it’s beautiful anyway. Music  Lux Aeterna by Gyorgy Ligeti.

0

Syn[a]: Visualizing Biometric Data from a Musical Performance

In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical performers and transmitted this over high-bandwidth networks (AARNet) in stereoscopic 3D, creating an immersive augmented telepresence...

5

Visualizing Pausiris @ MONA

Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art (MONA, Tasmania) collection in 2007, when I was approached by the exhibition designer for MONA, Adrian...

VR: AVIE: Antarctica

VR: AVIE: Antarctica

I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema Centre at the University of New South Wales . It is a panoramic 360º stereoscopic immersive environment....