visualisation, inventiones
360º Stereoscopic Views of Mawson’s Huts (photogrammetric + 3D model reconstructions). Preview Video: Note: currently VR view mode on iOS/Android may not work, due to gyro access and software issues. Desktop viewing functions as...
In this public lecture Peter Morse discusses the technology and work behind creating the two “Travelling Kungkarangkalpa” fulldome movies for the DomeLab 6-metre digital dome, as part of the ‘Songlines: Tracking the Seven...
USE the https version of this page: https://www.petermorse.com.au/2016/12/stereoscopic-panoramas-for-vr/ Online VR technologies have come a long way recently, so I’m finally getting around to embedding some 360º stereoscopic and monoscopic panoramas that I shot during several...
Computational Ocean is a visualisation derived from my work on Antarctica and the Southern Ocean. It includes global ocean data visualisations deriving from the GEBCO dataset, global Sea Surface Height Anomaly (SSHA) and Sea Surface Temperature...
My father is a painter – a landscape painter – and he has done this for most of his life (and all my life) – and, naturally, he’s had a strong impact upon the...
Sense of Place:: Cape Denison, Antarctica from Peter Morse on Vimeo. Centrepiece: Cape Denison Triptych The centrepiece of a triptych video installation I made with Chris Henderson in 2011. WARNING: it is 33 minutes...
CLAVIER À LUMIÈRES was a project undertaken with the Tasmanian Symphony Orchestra in 2012. A performance event was held at MONA on 3-4 November 2010 – details and documentation below. Clavier à lumières –...
Support materials for an Australia Council application ‘Dark Matter Aesthetics.’ Regrettably, it didn’t ‘get up’ – but it’s beautiful anyway. Music Lux Aeterna by Gyorgy Ligeti.
In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical...
Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art...
I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema...
Mawson’s Huts Interactive Guide on iPhone An experimental iPhone app for heritage visualisation. Prototype implementation in conjunction with Paul Bourke. It consists of a 3D model of Mawson’s Hut (Antarctica) populated with 6 high resolution...
People often find screen resolution difficult to understand. I recall my former life as a university lecturer seeing the blank stares of arts students as they tried to grapple with something vaguely mathematical in nature...
Ocean (2009) from Peter Morse on Vimeo. A visualisation of the global ocean derived from the GEBCO dataset. Rendered at 4k Fulldome resolution. This is an excerpt from ongoing work – there is so...
A short overview of work-in-progress visualising the GEBCO dataset (General Bathymetric Chart of the Oceans) The visualisation involved developing a derived dataset from GEBCO in reference to WGS’84, where we have effectively ‘removed’ the...
Kurzfilme von Peter Morse (Australien) ‘The Horla’ – 30min. Farbe, VHS. (1994)Eine Multimedia – Oper basierend auf der Kurzgeschichte von Guy de Maupassant, welche als eine Metapher für Krankheit und Wahnsinn untersucht wird. In...
