Category: Art

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Antarctica: Stereoscopic & Monoscopic Panoramas for VR

USE the https version of this page: https://www.petermorse.com.au/2016/12/stereoscopic-panoramas-for-vr/ Online VR technologies have come a long way recently, so I’m finally getting around to embedding some 360º stereoscopic and monoscopic panoramas that I shot during several adventures in Antarctica (see also my media art documentation.)  These images are viewable using Google Cardboard or compatible...

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Computational Ocean (2016)

Computational Ocean is a visualisation derived from my work on Antarctica and the Southern Ocean. It includes global ocean data visualisations deriving from the GEBCO dataset, global Sea Surface Height Anomaly (SSHA) and Sea Surface Temperature (SST) datasets, as well as synthetic FFT-based ocean simulations. These are works-in-progress to create new and...

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Conversations about Paintings

My father is a painter – a landscape painter – and he has done this for most of his life (and all my life) – and, naturally, he’s had a strong impact upon the way I think about things visually. We’ve had many interesting discussions over many decades. Anyway, over...

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Sense of Place:: Cape Denison, Antarctica (2011)

Sense of Place:: Cape Denison, Antarctica from Peter Morse on Vimeo. Centrepiece: Cape Denison Triptych The centrepiece of a triptych video installation I made with Chris Henderson in 2011. WARNING: it is 33 minutes long and very slow – for a reason : it’s about looking and place and time...

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SYN[A]: CLAVIER À LUMIÈRES (2012)

CLAVIER À LUMIÈRES was a project undertaken with the Tasmanian Symphony Orchestra in 2012. A performance event was held at MONA on 3-4 November 2010 – details and documentation below. Clavier à lumières – keyboard with lights, invented by Russian synaesthetic composer Alexander Scriabin. Syn[a] is a group of artist-technologists...

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Dark Matter Aesthetics

Support materials for an Australia Council application ‘Dark Matter Aesthetics.’ Regrettably, it didn’t ‘get up’ – but it’s beautiful anyway. Music  Lux Aeterna by Gyorgy Ligeti.

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Syn[a]: Visualizing Biometric Data from a Musical Performance

In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical performers and transmitted this over high-bandwidth networks (AARNet) in stereoscopic 3D, creating an immersive augmented telepresence...

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MONA Mummy

Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art (MONA, Tasmania) collection in 2007, when I was approached by the exhibition designer for MONA, Adrian...

VR: AVIE: Antarctica

VR: AVIE: Antarctica

I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema Centre at the University of New South Wales . It is a panoramic 360º stereoscopic immersive environment....

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Heritage Visualisation on iPhone

Mawson’s Huts Interactive Guide on iPhone An experimental iPhone app for heritage visualisation. Prototype implementation in conjunction with Paul Bourke. It consists of a 3D model of Mawson’s Hut (Antarctica) populated with 6 high resolution full spherical panoramic images from key positions on the exterior and interior of the hut. A...