visualisation, inventiones
In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical...
I’ve been commissioned by the Gascoyne Aboriginal Heritage and Cultural Centre of Carnarvon, Western Australia, to produce a fulldome program that illustrates elements of Indigenous Australian astronomy. This will feature visualizations displayed upon a...
R&D in astrocinematography of the the southern skies, using various motion-control camera systems we’ve developed. Environmental cinematography (landscape, skyscape, seascape, celestial) and immersive imaging in remote (and often difficult) places creates specific challenges in...
The Australian Hansard is a structured public document, available here: http://www.aph.gov.au/hansard/index.htm Hansard is a record of the parliamentary discourse of our democracy. How susceptible is it to empirical analysis? How can this be represented?
Syn[a] is a group of creative people (artists/inventors/engineers/scientists) developing and experimenting with systems to visualize and sonify the biometric data of an orchestral performance over ultra-high-bandwidth networks. We have lots of experience, lots of...
Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art...
Shot at Cradle Mountain National Park, Tasmania, Australia. Basically a test of our self-designed-and-built motion-contolled (moco) camera tracking system, using a Canon 5D MkII, with custom intervalometer. This is genuine HDR using triple exposure...
A couple of experiments as I figure out how to get SCARI working. Basically, this involved getting the brilliant Kinect Unity3D OpenNI wrapper demo by Amir working on my Mac Pro. It was very...
A brief overview of our proposed (but under development) Sullivan’s Cove Augmented Reality Interface. This is one outcome of our Geeks-in-Residence program with the Salamanca Arts Centre and the Tasmanian Symphony Orchestra. It will...
Early November I am fortunate to be a tutor at DomeLab 2010 presented by ANAT at iVEC@UWA (WASP). We have an exciting bunch of tutors (specialists in ultra-high-definition immersive cinema and fulldome) and a...
The three-dimensional world that we live in – the buildings, the spaces – are an information-rich interface that can be augmented with interactive digital media – across a variety of platforms from the mobile...
Frozen in Time: Mawson’s Huts, Antarctica. (2008) from Peter Morse on Vimeo. ‘Frozen in Time,’ was shown at the Melbourne International Film Festival on Friday August 6th 2010. It was showing at the Melbourne Planetarium...
A concept visualisation for a Hobart Fulldome cinema and visualisation centre, along the Hobart waterfront at Sullivan’s Cove. Two simple platonic shapes for a platonic concept – of course, I would expect architects to...
Some months ago I attended a workshop held by the CEAMARC group of the Census of Antarctic Marine Life (CAML), held at the Australian Antarctic Division. It provided me with a fascinating overview of...
I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema...
Through the Australia Council Arts Digital Era initiative I have assumed the lofty mantle of Geek-in-Residence – an exciting opportunity working with theTasmanian Symphony Orchestra, Salamanca Arts Centre and National Broadband Network – determining strategies and some actual outcomes...
[vimeo id=”10320299″ w=”600″ h=”340″] A high-speed overview of visualisation activities I undertook during the 2009-2010 Mawson’s Huts Expedition to Cape Denison, Antarctica. A screen version of the talk presented at the MHF seminar at...
During the 2009-10 Expedition I shot a series of vlogs capturing some of the main events of the season – admixed with some light polar humour. The vlog was commissioned and sponsored by Telstra...
Dr. Peter Morse speaks to Pauline Askin about his role as visualisation specialist on the Mawson’s Huts Foundation Expedition 2009/10. Peter runs a visualisation consultancy in Hobart, Tasmania – working upon...
Here is an example of a Paget Screen (the underpinning colour grid that enabled the reproduction of colour in the Paget Process): Here we see typically soft-focus gentle colour produced in this Paget Process...
