Category: fulldome

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Exploratory volumetric deep Earth visualization by 2.5D interactive compositing

Abstract:In this contribution we consider the visualization of global, deep Earth volume datasets for display and researcher interaction. While the algorithms and data analysis techniques that produce such volumetric results have become more sophisticated,...

Dark – The Movie

Produced by Peter Morse and Paul Bourke DARK is a fulldome movie that explains and explores the nature of Dark Matter, the missing 80% of the mass of the Universe. The Story The search...

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Henbury Meteorite Craters: Panoramic Astrophotography

[vrview img=”http://www.petermorse.com.au/wp-content/panos/Henbury_Meteorite_Crater_360_Pano_6000x3000.jpg”] Henbury Crater 360º panorama – click and drag to look around On a recent trip to the Northern Territory (shooting fulldome timelapse astrophotography for a client) I took a little detour to the...

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DomeLab

  Pre-Viz of the ARC-funded DomeLab 4k fulldome installation at the Michael Crouch Innovation Centre, University of New South Wales, Sydney, Australia. Around 2015-6 I worked as a Post-Doctoral Research Fellow at NIEA (UNSW) to...

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Dark Matter Aesthetics

Support materials for an Australia Council application ‘Dark Matter Aesthetics.’ Regrettably, it didn’t ‘get up’ – but it’s beautiful anyway. Music  Lux Aeterna by Gyorgy Ligeti.

Fulldome HDR Timelapse Experiment (2010)

Shot at Cradle Mountain National Park, Tasmania, Australia. Basically a test of our self-designed-and-built motion-contolled (moco) camera tracking system, using a Canon 5D MkII, with custom intervalometer. This is genuine HDR using triple exposure...

DomeLab 2010

Early November I am fortunate to be a tutor at DomeLab 2010 presented by ANAT at iVEC@UWA (WASP). We have an exciting bunch of tutors (specialists in ultra-high-definition immersive cinema and fulldome) and a...

Beyond the Frame :: Fulldome @ Launceston Planetarium

ANAT Presents: Beyond The Frame: Introducing Australian Filmmakers And Media Artists To Fulldome. The emergence of ‘destination cinema’ and the proliferation of large-format screens in public spaces present a challenge – and opportunity – to filmmakers working...