Planet Plop
You can visit Planet Plop here. It’s just a sketch at this stage and will evolve over time. Music and songs are created in collaboration with my friend Glenn Rogers. From my perspective, I’m...
visualisation, inventiones
You can visit Planet Plop here. It’s just a sketch at this stage and will evolve over time. Music and songs are created in collaboration with my friend Glenn Rogers. From my perspective, I’m...
A test render of a 360-degree day-night cycle at the VMI Macquarie Island Main Research Station.
A night-time flight around Macquarie Island, reflecting both technical progress, technical issues, and a composite narrative of scientists who have worked there – an initial experiment in Digital Twin story-telling.Plus: demonstration of 3rd-person VR...
A quick note about a free-ish (or relatively low cost) and not-too-finicky but a-bit-technical way to generate subtitles for video interviews using Microsoft Word – up to 1hr in length (00:59:59,999) – or longer...
A brief 9-minute overview of work-in-progress on Virtual Macquarie Island for the VMI Project. The movie covers the development of the environment and terrain model, ocean workflow and initial development tests in endemic fauna...
An interactive panoramic tour of Mawson’s Huts is now live at mawsonshuts.com. This is an immersive narrative documentary work created through my consultancy Chthonic, augmenting the important work of the Mawson’s Huts Foundation. The...
Liminal was an operatic song-cycle I conceived, wrote and created between 1996-1999, in collaboration with my friend, the composer Glenn Rogers. I had always intended it for the big screen, as a kind of...
In this public lecture Peter Morse discusses the technology and work behind creating the two “Travelling Kungkarangkalpa” fulldome movies for the DomeLab 6-metre digital dome, as part of the ‘Songlines: Tracking the Seven...
With recent developments in 360º video and VR, it is now possible for me to revisit a variety of material I’ve accumulated over the last 20 years of Antarctic-related visualisation research: these range from...
Philip Law Interview – The Antarctic Landscape – 2004 from Peter Morse on Vimeo. This is part of an interview – the rest is to be restored to stereoscopic 3D. I had the great...
Sense of Place:: Cape Denison, Antarctica from Peter Morse on Vimeo. Centrepiece: Cape Denison Triptych The centrepiece of a triptych video installation I made with Chris Henderson in 2011. WARNING: it is 33 minutes...
Dark has a dedicated Information Page here: https://www.petermorse.com.au/2019/06/dark-the-fulldome-movie/
A 3-minute visualisation of the ice-free regions of Antarctica commissioned by the Australian Antarctic Division for the Antarctic Treaty Consultative Meeting XXXV. These regions are home to the terrestrial biodiversity of the Antarctic continent,...
A presentation of the Census of Antarctic Marine Life (CAML). It covers the Antarctic marine science and discoveries of CAML, a part of the global Census of Marine Life (CoML) during the International Polar...
Peter Rasmussen Innovation Award 2010, 57th Sydney Film Festival from Peter Morse on Vimeo. 2010 PETER RASMUSSEN INNOVATION AWARD WINNER The Peter Rasmussen Innovation Award, now in its second year, was awarded to Peter...
I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema...
Mawson’s Huts Interactive Guide on iPhone An experimental iPhone app for heritage visualisation. Prototype implementation in conjunction with Paul Bourke. It consists of a 3D model of Mawson’s Hut (Antarctica) populated with 6 high resolution...
Some experiments using Sea Surface Temperature (SST) and Sea Surface Height Anomaly (SSHA) data to create visualisations of the global ocean. The emphasis is upon the Southern hemisphere, looking at ocean circulation around Antarctica....
During the 2009-10 Expedition I shot a series of vlogs capturing some of the main events of the season – admixed with some light polar humour. The vlog was commissioned and sponsored by Telstra...