Category: Media Art

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Syn[a]: Visualizing Biometric Data from a Musical Performance

In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical performers and transmitted this over high-bandwidth networks (AARNet) in stereoscopic 3D, creating an immersive augmented telepresence...

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MONA Mummy

Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art (MONA, Tasmania) collection in 2007, when I was approached by the exhibition designer for MONA, Adrian...

VR: AVIE: Antarctica

VR: AVIE: Antarctica

I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema Centre at the University of New South Wales . It is a panoramic 360º stereoscopic immersive environment....

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Visualising GEBCO: A new way of seeing the global oceans (2009)

A short overview of work-in-progress visualising the GEBCO dataset (General Bathymetric Chart of the Oceans) The visualisation involved developing a derived dataset from GEBCO in reference to WGS’84, where we have effectively ‘removed’ the entire Earth – all the continents, islands and geology above and below sea level. What remains...

Kurzfilme von Peter Morse (Australien). Parkhaus Gallery, Berlin (1999).

Kurzfilme von Peter Morse (Australien) ‘The Horla’ – 30min. Farbe, VHS. (1994)Eine Multimedia – Oper basierend auf der Kurzgeschichte von Guy de Maupassant, welche als eine Metapher für Krankheit und Wahnsinn untersucht wird. In Englischer Sprache. ́Liminal ́- 20 min, Farbe, VHS (1999).Auszüge aus einem interaktiven Liedzyklus für CD-ROM unter...