SYN[A]: CLAVIER À LUMIÈRES (2012)
CLAVIER À LUMIÈRES was a project undertaken with the Tasmanian Symphony Orchestra in 2012. A performance event was held at MONA on 3-4 November 2010 – details and documentation below. Clavier à lumières –...
visualisation, inventiones
CLAVIER À LUMIÈRES was a project undertaken with the Tasmanian Symphony Orchestra in 2012. A performance event was held at MONA on 3-4 November 2010 – details and documentation below. Clavier à lumières –...
One of my great passions, having been involved in building a base in Antarctica – at Cape Dension, Commonwealth Bay – is sustainable environmentally-friendly architecture. The great lesson I learnt in this process is...
Dark has a dedicated Information Page here: https://www.petermorse.com.au/2019/06/dark-the-fulldome-movie/
A 3-minute visualisation of the ice-free regions of Antarctica commissioned by the Australian Antarctic Division for the Antarctic Treaty Consultative Meeting XXXV. These regions are home to the terrestrial biodiversity of the Antarctic continent,...
In December 2011 the Syn[a] Group, in concert with AARnet and the TSO, ran a 5 day workshop at the University of Tasmania Conservatorium of Music, where we visualised the biometric data of musical...
Visualization of a 2000-year-old Egyptian Mummy – Peter Morse & Paul Bourke We first started working upon the idea of visualizing one of the Egyptian Mummies from the Museum of Old and New Art...
A couple of experiments as I figure out how to get SCARI working. Basically, this involved getting the brilliant Kinect Unity3D OpenNI wrapper demo by Amir working on my Mac Pro. It was very...
A brief overview of our proposed (but under development) Sullivan’s Cove Augmented Reality Interface. This is one outcome of our Geeks-in-Residence program with the Salamanca Arts Centre and the Tasmanian Symphony Orchestra. It will...
A presentation of the Census of Antarctic Marine Life (CAML). It covers the Antarctic marine science and discoveries of CAML, a part of the global Census of Marine Life (CoML) during the International Polar...
A concept visualisation for a Hobart Fulldome cinema and visualisation centre, along the Hobart waterfront at Sullivan’s Cove. Two simple platonic shapes for a platonic concept – of course, I would expect architects to...
Some months ago I attended a workshop held by the CEAMARC group of the Census of Antarctic Marine Life (CAML), held at the Australian Antarctic Division. It provided me with a fascinating overview of...
I created a series of stereoscopic (3d) fully immersive cylindrical panoramas at Cape Denison, Antarctica – in and around Mawson’s Huts in 2008. The AVIE (Advanced Visualisation and Interaction Environment) was developed by the iCinema...
Mawson’s Huts Interactive Guide on iPhone An experimental iPhone app for heritage visualisation. Prototype implementation in conjunction with Paul Bourke. It consists of a 3D model of Mawson’s Hut (Antarctica) populated with 6 high resolution...
Some experiments using Sea Surface Temperature (SST) and Sea Surface Height Anomaly (SSHA) data to create visualisations of the global ocean. The emphasis is upon the Southern hemisphere, looking at ocean circulation around Antarctica....
Audio Visual Interactive Augmented Reality (AVIARy) Sonification using Augmented Reality techniques. An overview of the the Ozviz 2004 presentation and system specification can be found here: AVIARy: Morse, Barrass, Barrass, Adcock, Jacob (2004) : Video:...
Ocean (2009) from Peter Morse on Vimeo. A visualisation of the global ocean derived from the GEBCO dataset. Rendered at 4k Fulldome resolution. This is an excerpt from ongoing work – there is so...
This is the author resource for my PhD thesis (1994): ‘Bodies in Time: A Sociosemiotics of Funerary Monuments and Sculpture’. The full PDF is available at https://researchrepository.murdoch.edu.au/id/eprint/50582/ or http://dx.doi.org/10.13140/RG.2.2.27096.21766 Degree Doctor of Philosophy, School...
A short overview of work-in-progress visualising the GEBCO dataset (General Bathymetric Chart of the Oceans) The visualisation involved developing a derived dataset from GEBCO in reference to WGS’84, where we have effectively ‘removed’ the...
Updated version 2019 here. Note: Anaglyphic stereo requires red-blue 3D glasses to view. NB. For the simple reason that red=right is a good mnemonic, I authored this in anaglyphic with red on the right,...